伊利莎白时期戏剧在英国文学中占了重要地位吗?为什么?(用英语啊)简单说说啊,最好为什么能说详细点,用英语啊,谢谢啦

Question

伊利莎白时期戏剧在英国文学中占了重要地位吗?为什么?(用英语啊)
简单说说啊,最好为什么能说详细点,用英语啊,谢谢啦

Answer 1

yes..of course..one famour person is shakespeare!
During the time,most english enjoyed and love going out to see plays.Shakespeare is just one famous poet during the Elizabethean Era.
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Records of drama in English go back to the Middle Ages,a period in which numerous 'Miracle' and 'Morality' plays were written.Such plays were often based on biblical themes,especially those involving such miraculous events as the saving of Noah and his family in the ark,or those from which a clear moral could be drawn.Medieval plays were usually written to coincide with such religious festivals as Christmas or Easter and they were often performed in,or near,the church,with most of the community taking part either actively,by playing roles,or passively,as members of the audience.
In the medieval period drama was an integral element in the structure of society.It was an extension of Christian ritual and was meant to make a strong impression on all who participated in the performance.Audiences were meant to be awed by the power and wisdom of God,inspired by the faith and courage of holy men,frightened by the fate of evil doers and amused by the folly of mankind.Drama was thus meant to have a cathartic effect,that is it was intended to improve the members of the audience by giving them an outlet for such emotions as greed,hatred,lust,pity.They were encouraged to sympathise with a character often called Everyman who represented all men in their journey through life.The drama of the time,like Everyman himself,had a universal appeal.It was written,not for a small 闸ite,but with all members of the society in mind.
In the early sixteenth century the close relationship that had previously existed between Church and State began to change.Individual Christian sects had distinctly different attitudes to the role of drama in society.It was tolerated by Catholics but condemned by Puritans who wished to 'purify' the religious beliefs and attitudes of the time and to encourage people to give up worldly pleasures so that they might attend to spiritual matters.Puritanism grew stronger,especially in towns and cities,in the second half of the sixteenth century and people connected with drama -writers and actors- had to struggle against growing opposition.Elizabethan dramatists often criticised Puritanism in their plays and there is some evidence of such criticism in several of Shakespeare's plays,including Twelfth Night.Puritanical opposition to the theatre eventually succeeded in curtailing freedom of speech in drama when it sponsored the Licensing Act which was passed by Parliament in 1737.
In Shakespeare's day,however,the theatre had the support of the Court and many dramatists,including Shakespeare,continued the medieval tradition of producing plays which appealed to all classes and to different levels of intelligence and education.
By the time Shakespeare began to write,traditional conceptions about the order of the cosmos,and about the human place in the cosmos,had begun to be shaken.In 1543,Copernicus had published his work arguing that the earth revolved around the sun,while Machiavelli had challenged the notion of a divinely ordered state through his new conception of politics based on the realities of power.European explorations continued to redraw the map of the known world in radical ways.Nevertheless,older paradigms for understanding the cosmos,such as the Ptolemaic model of the universe,in which the earth was the center of a system of concentric spheres,continued to exert a powerful hold on European thought.For a poet,the metaphoric power of the older model,in which the soul inhabited the body,while the body was the very essence of a fallen earth,contingent and eternally besieged by sin,continued to be indispensable.In Sonnet 146,when Shakespeare used this powerful and traditional metaphor of the soul as center of a sinful earth,he was drawing on intellectual precepts that were not only deeply held in his time,but also,increasingly,bitterly contested.